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All is Full of Love is an elegant, moving description of two Björk robots in love. As they are pieced and wired into existence, they sing to each other and fall in love. The video reaches its harmonious climax as the robots join in embrace while still being detailed by the industrial machines beside them. Each robot was designed by Cunningham, faces reminiscent of Björk's own delicate features. (director-file.com)
One of the best examples of post-World War II social guidance films, with examples of "good" and "bad" girls, proper and improper dating etiquette, courtesy to parents, and an analysis of what makes some people popular and others not. A scream and a sobering document of postwar conformity. Director: Ted Peshak. Cinematography: Bill Rockar. Writers: Robert Chapin and Patricia Kealy. Editor: George Wilbern. Educational adviser: Dr. Alice Sowers, Director, Family Life Institute of the University of Oklahoma. With Marilyn Fisher (Caroline Ames); Marilyn Fisher's mother (Mrs. Ames); Bill Fein (Larry); Bunny Catcher (Ellie); Lester Podewell (Mr. Ames); Shaya Nash (Ginny) and David Whitehouse (Boy at Lunch Table). From the Prelinger Archives.
A video by Snatch Video. Another photographer for me to stalk for a moment. ...Like this one I followed in Central Park. This time, it's like they aren't there. Nothing stops around them, but there is a very clear room that they appear to be in to me. Invisible walls. We're good at having those in our pockets for quick release. Those decisive triggers. Life isn't the same once it's been recorded. (Snatch Video)
A 3D animation by Ryan Hale with a surfboard dancing with a battleship.
James Gimzewski and Victoria Vesna's interactive work which allows a gallery visitor to interact with cells.
Arthur Ganson's kinetic sculpture using an artichoke petal.